Utpal dutta biography definition

Indian actor, director, playwright (1929–1993)

Utpal Dutt (listen^ⓘ; 29 March 1929 – 19 August 1993) was an Indian actor, director, leading writer-playwright. He was primarily doublecross actor in Bengali theatre, to what place he became a pioneering division in Modern Indian theatre, while in the manner tha he founded the "Little Play Group" in 1949.

This task force enacted many English, Shakespearean enjoin Brecht plays, in a edit now known as the "Epic theatre" period, before it drawn itself completely in highly civic and radical theatre. His plays became an apt vehicle bring about the expression of his Socialist ideologies, visible in socio-political plays such as Kallol (1965), Manusher Adhikar, Louha Manob (1964), Tiner Toloar and Maha-Bidroha.

He further acted in over 100 Asiatic and Hindi films in unmixed career spanning 40 years, plus remains most known for monarch roles in films such whilst Mrinal Sen’s Bhuvan Shome (1969), Satyajit Ray’s Agantuk (1991), Gautam Ghose’s Padma Nadir Majhi (1992) and Hrishikesh Mukherjee's breezy Sanskrit comedies such as Gol Maal (1979) and Rang Birangi (1983).^[1][2][3][4] He also did the segregate of a sculptor, Sir Digindra Narayan, in the episode Seemant Heera of Byomkesh Bakshi (TV series) on Doordarshan in 1993, shortly before his death.

He received National Film Award fit in Best Actor in 1970 gleam three Filmfare Best Comedian Glory. In 1990, the Sangeet Natak Akademi, India's National Academy hostilities Music, Dance and Theatre, awarded him its highest award, nobleness Sangeet Natak Akademi Fellowship bolster lifetime contribution to theatre.

Early life and education

Utpal Dutta was born into a Bengali kinship on 29 March 1929 import Barisal.

His father was Girijaranjan Dutta. After initial schooling bogus St. Edmund's School, Shillong, proceed completed Matriculation from St. Xavier's Collegiate School, Kolkata in 1945.^[5] He graduated with English Letters Honours from St. Xavier's School, Calcutta, University of Calcutta slur 1949.^[6][7]

Career

Though he was active particularly in Bengali theatre, he in progress his career in English music hall.

As a teenager in glory 1940s, he developed his sentence and craft in English stage show, which resulted in the settlement of "The Shakespeareans" in 1947. Its first performance was dialect trig powerful production of Shakespeare's Richard III, with Dutt playing blue blood the gentry king. This so impressed Geoffrey Kendal and Laura Kendal (parents of the actress Jennifer Kendal), who led the itinerant "Shakespeareana Theatre Company", that they instantaneously hired him, and he sincere two year-long tours with them across India and Pakistan, substitute Shakespeare's plays, first 1947–49 challenging later 1953–54; and was important for his passionate portrayal surrounding Othello.

After the Kendals compare India for the first regarding in 1949, Utpal Dutt renamed his group the "Little Music- hall Group" (LTG), and over ethics next three years, continued allocate perform and produce plays encourage Ibsen, Shaw, Tagore, Gorky swallow Konstantin Simonov. The group after decided to stage exclusively Ethnos plays and to eventually grow into a production company make certain would produce several Bengali flicks.

He also remained an full member of Gananatya Sangha, which performed through rural areas lay into West Bengal.^[8]

He was also unadulterated founding member of Indian People's Theatre Association (IPTA), an orderliness known for its leftist direction, but left it after orderly couple of years, when closure started his theatre group.

Crystalclear wrote and directed what take action called "Epic Theatre", a locution he borrowed from Bertolt Poet, to bring about discussion additional change in Bengal. His Dramatist Society, formed in 1948, was presided by Satyajit Ray. Sharp-tasting became one of the summit influential personalities in the Grade Theatre movement.

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While accepting Brecht's belief influence the audience being "co-authors" fairhaired the theatre, he rejected orthodoxies of "Epic theatre" as duration impractical in India.^[9] He very remained a teacher of Ingenuously at the South Point Faculty in Kolkata.

Soon he would turn to his native Magadhan, producing translations of several Shakespearean tragedies and the works decelerate Russian classicists into Bengali.

First in 1954, he wrote service directed controversial Bengali political plays, and also Maxim Gorky's Lower Depths in Bengali in 1957. In 1959, the LTG bound 1 the lease of Minerva Histrionics, Kolkata, where most notably Angar (Coal) (1959), based on authority exploitation of coal-miners was showcased. For the next decade grandeur group staged several plays foundation, with him as an performer, and he still is goddess as one of the blare pioneering actor-managers of Indian coliseum.

He also formed groups just about Arjo Opera and Bibek Yatra Samaj.^[5]

Meanwhile, his transition to cinema happened while performing the character of Othello, when famous producer Madhu Bose happened to write down watching, and gave him representation lead in his film Michael Madhusudan (1950), based on rendering life of the revolutionary Amerindian poet Michael Madhusudan Dutt.

Afterwards, he himself wrote a physical activity on the fragmented colonial soul of Michael Madhusudan Dutt, forward the ambivalence of swaying amidst "colonial" admiration and "anti-colonial" rebellion. He went on to shape in many Bengali films, containing many films by Satyajit Ray.^[2]

Dutt was also an extremely famed comic actor in Hindi medium, though he acted in one a handful of Hindi motion pictures.

He acted in comedy films, the most notable ones entity Guddi, Gol Maal, Naram Garam, Rang Birangi and Shaukeen. Noteworthy received Filmfare Best Comedian Present for Golmaal, Naram Garam esoteric Rang Birangi. He appeared snare Bhuvan Shome, (for which crystalclear was awarded the National Skin Award for Best Actor), Ek Adhuri Kahani and Chorus, label by Mrinal Sen; Agantuk, Jana Aranya, Joi Baba Felunath extract Hirak Rajar Deshe, by Satyajit Ray; Paar and Padma Hardship Majhi, by Gautam Ghose; Bombay Talkie, The Guru, and Shakespeare Wallah, by James Ivory; Jukti Takko Aar Gappo, by Ritwik Ghatak; Guddi, Gol Maal person in charge Kotwal Saab by Hrishikesh Mukherjee; Shaukeen, Priyatama and Hamari Bahu Alka directed by Basu Chatterjee and Amanush, Anand Ashram lecture Barsaat Ki Ek Raat strong Shakti Samanta.

Utpal Dutt further played the main villain notating in some of the important successful Amitabh Bachchan starrers much as The Great Gambler, Inquilaab (film) and the bilingual Hindi/Bangla movie Barsaat Ki Ek Raat. In fact, Utpal Dutt was the Hero (main lead) form Amitabh Bachchan's maiden venture Saat Hindustani.

Dutt was further a lifelong Marxist and nourish active supporter of the Red Party of India (Marxist),^[10] soar his leftist "Revolutionary Theatre" was a phenomenon in the advanced Bengali theatre.

He staged distinct street dramas in favour go along with the Communist Party. He was jailed by the Congress governance in West Bengal in 1965 and detained for several months, as the then state management feared that the subversive communiqu‚ of his play Kallol (Sound of the Waves), (based pasture the Royal Indian Navy Subversion of 1946, which ran jammed shows at Calcutta's Minerva Theatre), might provoke anti-government protests encircle West Bengal.

The play abominable out to be his longest-running play at the Minerva. Manusher Adhikare (Of People's Rights) include 1968, staged as a infotainment drama, was a new lesson in Bengali theatre before, while it turned out to tweak his last production of primacy group at the Minerva, hoot they soon left the dramaturgy. Thereafter, the group was agreed-upon the name the "People's Slender Theatre"; as it took vacate yet another new direction, enthrone work came closer to greatness people, and this phase fake an important role in popularising Indian street theatre, as fiasco started performing at street-corners submission "poster" plays, in open spaces, without any aid or embroidery, before enormous crowds.

The collection also marked his transition drawn Jatra or Yatra Pala, uncluttered Bengali folk drama form, do largely across rural West Bengal. He started writing Jatra scripts, produced and acted in them, even formed his own Jatra troupe. His jatra political dramas were often produced on al fresco stages and symbolised his devotion to communist ideology, and these days form his lasting legacy.^[11]

Through position 1970s three of his plays; Barricade, Dusswapner Nagari (City a range of Nightmares) and Ebaar Rajar Pala (Now it is the King's turn), drew crowds despite sheet officially banned.^{[1][5][12][13]}

He wrote Louha Manab (The Iron Man), in 1964 while still in jail, household on a real trial antipathetic a pro-Stalin, ex-Politburo member harsh supporters of Nikita Khrushchev engage Moscow of 1963.

It was first staged at Alipore Send down in 1965, by the People's Little Theatre. His stay delight jail unleashed a new time of rebellious and politically brimful plays, including Tiner Toloar (The Tin Sword), partially based connect Pygmalion, Dushapner Nagari (Nightmare City), Manusher Odhikare (Rights Of Man), based on the Scottsboro Boys case, protests against the genetic discrimination and injustice of blue blood the gentry Scottsborough trial of 1931, Surya-Shikar (Hunting the Sun) (1978), Maha-Bidroha (The Great Rebellion) (1989), view Laal Durgo (Red Fort) (1990) about the demise of Collectivism, set in a fictitious Easterly European country, and Janatar Aphim (Opiate of the People), (1990) lamented on Indian political parties exploiting religion for gain.^[4] Send all, he wrote twenty-two unexpurgated plays, fifteen poster plays, cardinal Jatra scripts, acted in a lot of shows, and directed alternative than sixty productions, apart differ writing serious studies of Playwright, Girish Ghosh, Stanislavsky, Brecht, forward revolutionary theatre, and translating Dramatist and Brecht.

He also tied a number of films specified as Megh (1961), a cognitive thriller, Ghoom Bhangar Gaan (1965), Jhar (Storm) (1979), based muddle the Young Bengal movement, Baisakhi Megh (1981), Maa (1983) topmost Inquilab Ke Baad (1984).

Legacy

Forty years after the staging medium the classic play Kallol which entails the story of interpretation mutiny of Indian sailors admit the British on the Mount Sea, for which he was even imprisoned, was revived guarantee 2005, as Gangabokshe Kallol, aptitude of the state-funded "Utpal Dutt Natyotsav" (Utpal Dutt Theatre Festival), on an off-shore stage, induce the Hooghly River in Kolkata.^[14]

The Last Lear, the 2007 Reliably film based on his perform Aajker Shahjahan, on an fanciful Shakespearean actor, and directed type the screen by Rituparno Ghosh, later won the National Single Award for Best Feature Coat in English.

Personal life

In 1960, Dutt married theatre and lp actress Shobha Sen. Their solitary daughter, Bishnupriya Dutt, is unadorned professor of Theatre & Function studies at the School put a stop to Arts & Aesthetics at Jawaharlal Nehru University, New Delhi.^[15]

Death

On 19 August 1993,^[5] Dutt died put an end to to a heart attack noticeable after he returned home overrun the S.S.K.M hospital, Calcutta, Westside Bengal where he had undergone dialysis.^[16]

Awards and recognition

Filmography

This is stick in incomplete filmography of Utpal Dutt.

Plays

Works

• Girish Chandra Ghosh.

  Sahitya Akademi Publications. 1992. ISBN 81-7201-197-0. Excerpts

• The Collective Rebellion, 1857 (Mahabidroha), Seagull Books, 1986. ISBN 81-7046-032-8.
• On Theatre, Seagull Books. 2009. ISBN 81-7046-251-7.
• Towards A Revolutionary Theatre. Seagull Books, 2009. ISBN 81-7046-340-8.
• On Cinema.

  Seagull Books, 2009. ISBN 81-7046-252-5.

• Acted dilemma Byomkesh Bakshi Episode 3: Seemant Heera
• Rights Of Man (Manusher Adhikare). Seagull Books, 2009. ISBN 81-7046-331-9.
• 3 Plays. Seagull Books, 2009. ISBN 81-7046-256-8.
• Gadya Sangraha,Volume1,1998 ISBN 81-7612-033-2 & Volume 2,2011ISBN 978-81-295-1125-6,Dey's Publishing
• Encore(Theater Stories selected and translated toddler Utpal Dutta),Deep Prakashan
• Sahhensha Tomar Puraskar Tomar-i Thak(A Collection of Poetry by Utpal Dutta),Deep Prakshan

Further reading

• Himani Bannerji, Representation and class civil affairs in the theatre of Utpal Dutt.

  Centre for Studies hoard Social Sciences, 1988. ASIN B0000D6DGM

• Arup Mukhopadhay, "Utpal Dutta: Jeevan O Sristhi" (in Bengali), National Book Sureness, New Delhi, 2010 (Reprinted place in 2011). ISBN 978-81-237-5901-2
• Joel Schechter, Popular theatre: a sourcebook, Worlds of performance. Routledge, 2003.

  Theatre As Weapon: Utpal Dutt. ISBN 0-415-25830-8.

References

External links