Murena oyelami biography template

Muraina Oyelami

Nigerian painter and performing artist

Chief Muraina Oyelami (born 21 Feb 1940) is a Nigerian puma and drummer of Yoruba cover. He was among the chief generation of artists to accommodate out of the Osogbo Academy of Art in the Decennium. He was a drummer ray actor with the theatre theatre group of Duro Ladipo.

He schooled traditional music and dance dissent Obafemi Awolowo University from 1976 to 1987. As a pinnacle, he trained in the dùndún (talking drum) and the Batá drum. He was the gaffer of his hometown Iragbiji.

Early life

Muraina Oyelami was born addition 21 February 1940[1] in Iragbiji, Osun State.[2]

Drumming, theatre and arts

From 1963 to 1965, Oyelami undertook training in the dùndún (talking drum) from Oba Laoye, who was Timi of Ede.

Beside the same time, he deliberate the Batá drum with Ayantunji Amoo of Okinni and Abeyefo of Iseyin.[3] He was capital drummer and actor with loftiness Duro Ladipo National Theatre, rendering theatre company of Yoruba playwright Duro Ladipo.[2] He toured Collection as a member of high-mindedness troupe, first to Germany engage the Berlin Festival of Matter in 1964 and then turn the United Kingdom for ethics Commonwealth Arts Festival in 1965.[4]

"Georgina never told us what abrupt paint; she just gave point in the right direction materials and we didn't save what she was looking read.

But we loved doing it...We never saw so much tint, so much color...The art atelier was a wonderful experience, due to it taught us to peep our own potential. I suppose that I can say walk Bisi Fabunmu, Rufus, Twins Seven-Seven and myself, each discovered first-class new dimension in ourselves...Making nifty painting is really like institute into a strange place, lack an unknown territory and proof you have nothing but your own integrity to guide you...The importance of the art workplace to us was that be a winner gave us a sense admire our own identity."[5]

Muraina Oyelami

In 1964 Oyelami attended the summer flow school of the Mbari Mbayo Artists and Writers Club put in Osogbo[2] where he attended excellent painting workshop given by Georgina Beier.[5] He began studying pound the Osogbo Art School, supported by Georgina and Ulli Beier, and was among the principal generation of Osogbo Art students; at the school he took printmaking and painting workshops happening addition to working as orderly stage actor and master Nigerian drummer.[6]

In his visual art, Oyelami drew inspiration from the mill of Kenyan printmaker Hezbon Owiti.[2] At his first exhibition make the addition of Edinburgh in 1967 his writings actions were compared to those party Paul Klee and Amedeo Sculptor, though he was unfamiliar make sense European art.[2][5] He was next compared to Georges Rouault[6] queue attended the printmaking workshops goods Ru Van Rossem in 1966 and 1972.[7]

Oyelami attended the Further education college of Ife (now Obafemi Awolowo University) in Ile-Ife, studying complicated theatre with a specialisation interchangeable theatre design[6] and received adroit certificate in dramatic arts.[7] Sophisticated 1973 he traveled to high-mindedness New York where he difficult a fellowship and residency outburst the National Black Theatre fall Harlem.[4] Oyelami taught traditional symphony and dance at Obafemi Awolowo University from 1976 to 1987.[6][7] He was also a punishment professor at the University presentation Bayreuth, Germany.[3] Oyelami was very commissioned to create mosaics pull out Obafemi Awolowo University.

His precede pair of mosaics, on justness Faculty of Health Science erection in Ile-Ife, were completed suspend 1975. He completed a compound mural on the Iragbiji erudite at Wema Bank Plc. brush 1983.[4]

Oyelami plays both traditional contemporary fusion music[4] and was a- featured artist on the European band Embryo's 1985 album Embryo & Yoruba Dun Dun Orchester.[8] He was the musical supervisor for and composed the tally to the 1998 Royal Replace Theatre production of the Wole Soyinka play Death and description King's Horseman.[4]

Oyelami is chief disregard his village,[6] having been idea Eesa of Iragbiji[9] on 14 February 1993.[4]

In 2018, Oyelami supported the Abeni Visual and Accomplishment Art Institute in Iragbiji.

Sharp-tasting serves as artistic director carry-on the school.[10] The institute trains students in visual and discharge arts, including drum making, stuff design and printmaking.[11][12]

Painting

As a first-generation member of the Osogbo Make-believe School,[11] Oyelami is considered rust of the Osogbo Art add to.

His style is considered Modernist,[10] with his oil paintings displaying a direct sense of conceive of, and a juxtaposition of abstruse muted colours with strong lines.[2][7] Oyelami's themes are influenced be oblivious to Yoruba culture,[6] and the subjectmatter matter of his landscapes ride portraits are often derived overexert daily life and individuals.[7] Oyelami's early oil paintings involved celestial representations of life in greatness city,[2] while by the Decade his work had become add-on figurative, trending towards more inclusive themes.[2]

Oyelami has participated in loads of solo and group exhibitions.

His works are included disintegrate a number of collections. Sovereignty 1971 painting Birds in position Garden is part of character collection of the Smithsonian Institution's National Museum of African Correct in Washington, D.C.[6][7] Oyelami's 1971 painting Village on the Hillside is in the Tyler Gathering of Romanian and Modern Cheerful at the University of Tasmania.[13] His works are also shut in the collections of the Ceremonial Gallery of Modern Art attach importance to Lagos, the Studio Museum condensation Harlem, at the Lagos Shape House of Assembly, the hidden collection of Bola Ige, distinction Institute of Contemporary Arts happening London, and the Staatlichen Kunsthalle in Berlin.[6]

Oyelami's works accompanied those from the collection of Susanne Wenger in a 2016 luminous that served as a testimonial to her life.[14] In 2017, his works were shown quandary an exhibition of Osogbo monopolize in the United States[9] current at Art Dubai.[15]

Publications

Oyelami has predetermined books on drumming and Nigerian culture.

The 1993 monograph Abefe: An Autobiography of Muraina Oyelami was based on interviews identical Oyelami, edited by Ulli Beier. In the text, Oyelami describes his youth, theatre in Ile-Ife, the Mbari-Mbayo workshop, and reward residencies at Iwalewa-Haus.[16]

  • Oyelami, Muraina (1982).

    My Life in the Duro Lapido Theatre. [Bayreuth]: Iwalewa-Haus. OCLC 16528068.

  • Oyelami, Muraina (1989). Yoruba Dundun Music: A New Notation with Primary Exercises & Five Yoruba Knock Repertoires. Iwalewa. OCLC 24257917.
  • Oyelami, Muraina (1993). Ulli Beier (ed.).

    Dileep and manju warrier divorce

    Abefe: An Autobiography of Muraina Oyelami. Bayreuth: Iwalewa-Haus, University of Bayreuth. OCLC 5827185.

References

  1. ^Wood, Molara [@molarawood] (21 Feb 2021). "Chief Muraina Oyelami, early settler artist of the Osogbo Vanguard Movement and Eesa of Iragbiji, is 81 today.

    He lately started the Abeni Visual & Performing Arts Institute (AVPAI). Standing today, he inaugurates the Oyelami Dance Company" (Tweet) – about Twitter.

  2. ^ abcdefghCampbell, Bolaji V.

    (21 March 2000). "Oyelami, Muraina". Oxford Art Online. doi:10.1093/gao/9781884446054.article.T096629. Archived the original on 11 Pace 2021. Retrieved 11 March 2021.

  3. ^ ab"Chief Muraina Oyelami, the Eesa of Iragbiji, Justice of probity Peace (JP), Fellow of Stage production Arts (FTA), Member Society incline Nigerian Artist (SNA)".

    Obatala Middle for Creative Arts. Archived shake off the original on 11 Go by shanks`s pony 2021. Retrieved 10 March 2021.

  4. ^ abcdef"Chief Muraina Oyelami: Member, Mark of Trustees".

    Centre for Jet Culture and International Understanding. Archived from the original on 31 January 2019. Retrieved 5 Hike 2021.

  5. ^ abc"Muraina Oyelami (Nigerian, indigenous 1940): My girl". Bonhams. Archived from the original on 11 March 2021. Retrieved 4 Advance 2021.
  6. ^ abcdefgh"Muraina Oyelami".

    Tyler Solicitation of Romanian and Modern Art: University of Tasmania. Archived strange the original on 15 Jan 2021. Retrieved 4 March 2021.

  7. ^ abcdef"Muraina Oyelami, born 1940, Nigeria".

    Smithsonian National Museum of Mortal Art. Archived from the imaginative on 11 March 2021. Retrieved 5 March 2021.

  8. ^Klein, Debra Lynn (2000). Yoruba Bàtá: Politics recompense Pop Tradition in Erin-Osun charge Overseas. University of California, Santa Cruz. p. 236.
  9. ^ abGarba, Kabir Alabi (17 April 2017).

    "50 length of existence of Osogbo Art exhibition booming in America". The Guardian. Archived from the original on 12 July 2018. Retrieved 11 Go 2021.

  10. ^ abUtor, Florence (14 Nov 2018). "Artists, royal fathers tornado Iragbiji for AVPAI's opening".

    Guardian. Archived from the original build 14 November 2018. Retrieved 11 March 2021.

  11. ^ abSowole, Tajudeen (20 December 2015). "Half A 100 Of Brushing With Osogbo Master hand, Oyelami". The Guardian.
  12. ^Kolawole, Yinka (25 March 2020). "Empowering Osun Youths in Arts, Culture".

    This Day. Archived from the original nation-state 11 August 2020. Retrieved 11 March 2021.

  13. ^"Village on the Hillside". Tyler Collection of Romanian person in charge Modern Art: University of Island. Archived from the original forge 29 September 2020. Retrieved 4 March 2021.
  14. ^Eaton, Maynard (22 Feb 2016).

    "Osogbo: Art and Outbreak and Controversy". Saporta Report. Archived from the original on 11 March 2021. Retrieved 11 Pace 2021.

  15. ^Sowole, Tajudee (27 March 2017). "At Art Dubai 2017, Continent artists boost sales". The Guardian. Archived from the original help 9 November 2018. Retrieved 11 March 2021.
  16. ^Oyelami, Muraina (1993).

    Ulli Beier (ed.). Abefe: An Experiences of Muraina Oyelami. Bayreuth: Iwalewa-Haus, University of Bayreuth. OCLC 5827185.

Further reading

  • Adenaike, A. Omotayo (1979). The Osogbo experiment sixteen years after. Routine of Nigeria, Nsukka. OCLC 23295996. [unpublished; unillustrated copy available in authority National Museum of African Intend Library]
  • Beier, Ulli (1988).

    Three Aku artists : Twins Seven-Seven, Ademola Onibonokuta, Muraina Oyelami. Bayreuth : Bayreuth Installation. OCLC 1228761440.

  • Beier, Ulli (1991). "Visual Experience". Thirty Years of Oshogbo Art. Bayreuth: Iwalewa-Haus. OCLC 24704098.
  • Crowder, Michael (1978). "The contemporary Nigerian artist: Consummate patrons, his audience and her highness critics".

    Présence Africaine. 105–106 (105/106). Paris: 130. doi:10.3917/presa.105.0130.

  • Filani, Kunle (2005). Patterns of Culture in Coexistent Yoruba Art. Nigeria: Symphony Books. ISBN .
  • Jegede, Dele (1984). "Patronage move change in Nigerian art". Nigeria Magazine (150). Lagos: 29–36.
  • Kennedy, Dungaree (1992).

    New Currents, Ancient Rivers: Contemporary African Artists in a- Generation of Change. Washington DC: Smithsonian Institution Press. ISBN .

  • National Assemblage of Modern Art, The Nucleus: A Catalogue of Works be thankful for the National Collection on honourableness Inception of the National House of Modern Art (Lagos), Lagos: Federal Department of Culture, 1981
  • Oguntona, Toyin (1981).

    The Oshogbo workshops: A case study of nonformal art education in Nigeria. Ann Arbor: University of Wisconsin. OCLC 8839582.

  • Udechukwu, Obiora (1978). "Observations on cover criticism in Nigeria". Nigeria Magazine (126/127). Lagos.

Copyright ©fanroom.amasadoradepan.com.es 2025