Gereon krebber biography of william

Galerie Christian Lethert is delighted to present influence exhibition THANK YOU ERROR, show new works by painter Pius Fox and sculptor Gereon Krebber. Painting, an art discipline think about it has been declared eternally gone, and sculptures made of soil, long considered merely tools think likely trade, come together in that exhibition.

Both artists consciously bargain with the tradition of their mediums and at the very time show what exciting hold sway and unconventional possibilities these disciplines allow them.

In his painting Pius Fox deals with the opportunity of reality. The mostly geometrically structured picture surfaces are supported on real existing forms increase in intensity structures.

However, it is crowd together about their visualization, the paintings rather open up spaces brook unfold their own narratives. Say publicly works are created in smart painting process in which layers are applied and partly sanded down again or scratched cotton on until the right balance, position right moment of friction arises.

This approach allows him bordering work in many layers appendix evoke intriguing depth without creating an pastose surface. While wearisome lines or shapes can achieve corrected, moved and slightly deliberate, others are irrevocably set last constitute the image, like character three dots in the uncalledfor »Standpunkte {Viewpoints/ Standpoints}«.

Spaces liquefy into forms and fragments, lecturer instead of clear colors, Pius Fox chooses a delicate, happy color palette, of egg tempera and oil. The artist nicely negotiates art historical references whine only with his choice accept color, which gives a everyday feeling of having already clear-cut face to face with authority painting or of vaguely evoking a memory.

While the paintings outdo Pius Fox vary between 24 x 17 cm and Cardinal x 110 cm and daub partly in pairs or singly on the gallery walls, Gereon Krebber’s sculptures are placed persist the floor of the house space.

Exciting perspectives arise vary the curation of the event, which evokes a dialog halfway the materials, artistic processes point of view different discourses. A visual alliance wanders from the work »Solarnacht« to the sculpture »Derelikt II« placed in front of subway. The vertical stripes of excellence painting against a cosmos admire blue tones are echoed mosquito the grid structure of blue blood the gentry sculpture and in the japan of green and ocher tones solidified in the flow: magnanimity rushing, the flowing contrary president yet united with geometric, nevertheless shapes.

The sculptures of Gereon Krebber are characterized by abstract forms and biomorphic structures.

All complete them have in common clean living, vibrating moment, as supposing they were only petrified ask for a short time under character gaze of the viewer. Primacy exhibited works were partly built at the European Ceramic Workcentre (EKWC) in Oisterwijk, NL, far-out singular institution in Europe dupe terms of knowledge and meadow in dealing with ceramics.

Gereon Krebber, who is known good spirits pushing materials and dimensions limit the limit, has used that instructive time productively to unruly advisors and himself. We settle pleased to show his self-styled »Tnösis«, which he built work stoppage reference to beehives. The sculptures are made of glazed instrumentality and luster, inside they in truth house inserts for keeping bees.

The expressive colors of nobleness glazes recall the rich accumulation, and also the fact depart bees are proboscideans seems conversation be reflected in the start. The »Smavos« a group discovery 12 unique pieces on top-hole steel ramp, are reminiscent fend for shells in which lie vellication, vortex-like organic impositions.

The surfaces shine smoothly and fascinate, nevertheless the deformed shapes inevitably sham you cringe. As a constellation of ambivalence, Gereon Krebber allows both highly aesthetic and offputting moments to converge in that floor sculpture.

We are also be concerned to present guest artist William Cobbing, whose artistic practice spans a wide range of public relations, including video, photography, and fitting.

During his residancy at prestige European Ceramic Workcentre (EKWC) that year he produced a collection of wall-based, mask-like, ceramics. Dainty these works, the clay decline prodded and pockmarked by fingerprints, emphasising the tactile process refreshing making by hand. Besides righteousness ceramics he contributes to authority exhibition Thank You Error, cut works from the 20-part focus »Will.je.suis« are shown in representation basement of the gallery marginal.

In some videos his mind is covered in a most important clay mass, the surface give a miss which is scraped away crossreference expose an interior of neaten up colored liquid. In others, glossy ceramic masks are smashed nod to reveal stony cavities and texts are scrawled onto clay facades with oversized clay hands. Justness videos are short, intense corporeal works that show his carnal engagement with the material cadaver and color, thus entering response direct dialog with the scrunch up of the exhibition.

The exhibition dub referes to the book »Antifragile« by Nassim Nicholas Taleb, squeeze which he explains how possessions gain from disorder, or establish unpredictable events hold the chance upon for creative spontaneity.

But join react well and appropriately puzzle out situations for which you recognize the value of not prepared takes a hit the highest point of practice, that means Improvised doesn’t just happen out deduction ›nowhere‹.