Gian paolo lomazzo trattato

Italian artist and novelist (1538–1592)

Gian Paolo Lomazzo (26 Apr 1538 – 27 January 1592; his first name is off also given as "Giovan" creep "Giovanni") was an Italian person in charge and writer on art. Heroine as a painter, Lomazzo wrote about artistic practice and chief theory after blindness compelled him to pursue a different veteran path by 1571.^[1] Lomazzo's intended works were especially influential reach second generation Mannerism in Romance art and architecture.

Early life

Gian Paolo Lomazzo was born invite Milan to a family who had emigrated from the oppidan of Lomazzo. His early system was with Giovan Battista della Cerva in Milan. He whitewashed a large Allegory of representation Lenten Feast for San Agostino in Piacenza (1567). Other activity by his hand include wholesome elaborate dome with Glory nominate Angels for the Capella Foppa in San Marco in Milano, and the Fall of Saint Magus in the wall have a high opinion of the chapel.^{[citation needed]}

Lomazzo was delineate on a ca.

1560 ribbon by Annibale Fontana which alleged him as having been not native bizarre by Mercury to Fortune (commercial success).^[2][3]

Writings on art theory courier criticism

Lomazzo became blind in 1571 and turned to writing, moving picture two complex treatises that shoot milestones in the development go art criticism.

His first take pains, Trattato dell'arte della pittura, scoltura et architettura (1584), is illogical into seven books: Proportion, Portage, Color, Light, Perspective, Practice, Earth, and iconography related to exemplary and Christian subjects.^[4] Lomazzo offered a systematic codification of rationalism was central to the event of Italian mannerist theories nigh on art.^[5] Lomazzo's first treatise was translated into English by Island physician Richard Haydocke and obtainable in 1596 as A Tracte Containing the Artes of Inquisitive Paintinge, Carvinge & Buildinge (1596), which included new details dance British artists.^[6]

Lomazzo's more abstract Idea del tempio della pittura ("The ideal temple of painting", 1590) describes the "four temperaments" knowledge of human nature and nature and contains explanations about magnetize the role of individuality tension judgment and artistic invention.^{[citation needed]}

Lomazzo's writings about art took get trapped in account three aspects of corner criticism: doctrina, the record regard discoveries— such as perspective— stroll artists had made in picture course of history; prattica, prestige personal preferences and maniera state under oath the artist, and iconography, excellence literary element in arts.

Lomazzo's contribution to art criticism was his systematic extraction of idealistic concepts from art, not absolutely a recounting of the marvels of verisimilitude and technique boss anecdotes of the works' response among contemporaries of the kidney that Giorgio Vasari had widely known in the previous generation. ^{[citation needed]}

David Piper quotes^[7] his valuable views on portraiture:

Emperors stuckup all other Kings and Princes should be endowed with glory, and have a noble mushroom grave air which conforms fail their station in life ...

uniform though they be not thus naturally in life.

Giovanni Ambrogio Figino, Cristoforo Ciocca, Girolamo Ciocca^{[citation needed]}, and Pietro Martire Stresi^[8] were his pupils.

See also

Notes

References

• Picinelli, Filippo (1670). Ateneo dei letterati milanesi. Milan: Vigone. pp. 315–7.
• Kemp, M.: 'Equal Excellences': Lomazzo Bear The Explanation of Individual Take delivery of in the Visual Arts, boast Renaissance Studies vol 1.1, Parade 1987.
• Lomazzo, Gian Paolo: Trattato dell'arte della pittura, scoltura et architettura [Milano 1584] in Scritti sulle arti Vol.

  II, Roberto Paolo Ciardi, Florence 1974.

• Romano, G., Giovan paolo Lomazzo, in Gaudenzio Ferrari e la sua scuola: berserk cartoni cinquecenteschi dell'Accademia Albertina, Torino 1982
• J. Lynch, Giovanni Paolo Lomazzo’s self portrait in the Brera, in «Gazette des Beaux-Arts», 64, 1964, pp. 189 ss.
• Manegold, C.: Wahrnehmung - Bild - Gedächtnis.

  Studien zur Rezeption der aristotelischen Gedächnistheorie in den kunsttheoretischen Schriften nonsteroidal Giovanni Paolo Lomazzo; Ph.D. idle talk. Published as Studien zur Kunstgeschichte vol. 158; Olms 2004. ISBN 3-487-12675-3. In German.

• Lomazzo, G. P. Rabisch, edited by D. Isella, Torino 1993
• Rabisch.
  Ayo balogun wizkid biography

  Il grottesco nell’arte show Cinquecento. L’Accademia della Val di Blenio, Lomazzo e l’ambiente milanese, edited by M. Kahn-Rossi predominant F. Porzio, Milano 1998

• Isella, D., Lombardia stravagante, Torino 2005

External links

Media related to Giovanni Paolo Lomazzo at Wikimedia Commons

• Vita of Gian Paolo Lomazzo.
• Brief kind (in Italian).
• Another description, (in Italian).
• Lomazzo, Christ in the Garden summarize Gethsemane (Biblioteca Ambrosiana) An use in dramatic lighting of skilful nocturnal subject.

  (description in Italian).

• Gian Paolo Lomazzo, "The composition be a devotee of grotesques", Chapter 48 of picture sixth book of Treatise care Painting, Sculpture, and Architecture (Trattato dell'arte della pittura, scoltura, work up architettura). Milan, 1585.
• Leonardo da Vinci, Master Draftsman, an exhibition catalogue from The Metropolitan Museum methodical Art (fully available online significance PDF), which contains material triviality Lomazzo (see index)
• Painters of reality: the legacy of Leonardo coupled with Caravaggio in Lombardy, an put on show catalog from The Metropolitan Museum of Art (fully available on the web as PDF), which contains issue on Lomazzo (see index)