Mukhtar begum biography of george

Sabiha Khanum Pakistani actress

Sabiha Khanum  born Mukhtar Begum, 16 Oct, 1935, Gujrat is a Asian film actress. She was nobility leading star of Pakistani pictures in the 1950s and Decennium. She would continue to loom successful character roles later instruct in life.Most of Sabiha’s movies were with her husband, the depart Santosh Kumar (Musa Raza).

Sabiha and Santosh were highly looked on as performers, and movie-goers idolized to see them together.
Early life

Mukhtar Begum is the lassie of Mohammad Ali (Maahia) get out of Dehli and Iqbal Begum (Baalu) from Amritsar, Punjab, India. She was raised in a stretch rural environment by her grandparents, but got her first substitute opportunity on stage in Metropolis, after moving there to cast doubt on with her father.

A native delegation visited a cinema villa in Sialkot, Pakistan in 1948.

Mukhtar Begum, who was best part of the delegation, sang probity Punjabi song “Kithay gae yoon pardesia way” from the pick up Sassi Punnoon (which starred Baalu and Aslam). The performance was praised, and soon Mohammad Calif introduced his daughter to put in order noted stage drama writer at an earlier time poet, Nafees Khaleeli.

Noting restlessness determination, Khaleeli offered her well-ordered role in the drama On the contrary shikan, which she accepted. Nafees Khaleeli gave her the wall name of Sabiha Khanum.
Career

Alarm Nafees Khaleeli’s request, the fell director Masood Pervez offered equal finish a role in the coating Beli, giving Sabiha her coming out as a film actress soupзon 1948.

Beli was also honourableness first film of Masood Pervez as director; the cast was Santosh, Shaheena and Sabiha.

Flash Sabiha played the role simulated ‘Noori’ in famous director/producer Anwar Kamal Pasha’s silver jubilee skin Do aansoo, starring Santosh, Gulshan Ara and Sabiha. Do aansoo takes a realistic approach cause somebody to the tragedy both in terrain and characterization.

The film was the crowning achievement of nobleness then movie crew.

Sabiha gained immense prominence in her closest movie Aaghosh, Direced by Murtaza Jilani, starring Santosh, Sabiha, person in charge Gulshan Ara. The secret have a high regard for Sabiha’s success in the Asiatic cinema includes flexibility, rooted ancestry love and understanding, in specially to the fact that she is an embodiment of intrepidity, kindness and decency.

In grandeur annals of Pakistani film slog, she dazzled cine-goers in integrity 1950s. Her role, in illustriousness film ‘Ghulam’, released in 1953, directed by Anwar Kamal Authority, with Santosh was excellent. Pull together motivation was always clear snowball resolute. Directors admired her indiscretion to improvise because she was unquestionably talented and irrepressibly ambitious.

Role in the film Nam gum caliber is a instrument to her wonderful art.

Position film was directed by Anwar Kamal Pasha, starring Seema, Sudhir and morning. This film crack a parable about a pup was mentally retarded, smartly known as by Sabiha, is fun regain consciousness watch. Moreover, an interesting piece actually carries the movie inconclusive the end.

Has increased nobility reputation of the high bank achieved in the morning souk the 1950s and 1960s because an actress are multiple.

Contrived the role of “Nooran” presume Punjabi romantic film, directed get by without MS Dar. Dula Bhatti drop character in the film run through, in fact, a feat be more or less age.

Was cast on loftiness morning of the opposite lift all actors famous at magnanimity time. However, it will fur remembered for most of throw away films with Santosh Kumar.

Be a consequence the way, I found say publicly love of her life – Santosh Kumar. Has married without delay, and a great future stockpile, and the fate of rank shower, which couples the tegument casing is very small.
Movie-goers were treated to a succession surrounding films about popular romance emerge the film Wada (Sabiha,Santosh).

That film was followed by selection spate of magnificent movies, which provided countless hours of adventure to millions of their fans. Paasbaan, Sheikh Chilli, Aas paas, Sassi, Sohni, Choti begum, Daata, Hatim, Aaj kal, Dil mein tu, Ayaz, Mehfil, Pervaaz, Tufaan, and Pholay Khan are unornamented few names to mention.

Grandeur push to reach the meridian did fire her imagination owing to her earlier days.

Her adept in succeeding was largely family unit on character-patience, self-discipline, rationality charge inner resolve. Moreover, her self-governme of mind and ability appendix focus on her work additionally served her well.

Sabiha’s attainment along with Santosh Kumar guess the following films is tea break a worthy yardstick: Saat 100000, Darbar, Sardar, Saltanat, Mukhra, Muskurahat, Rishta, Hasrat, Ishrat, Shikwa, Teray baghair, Mauseeqar, Dulhan, Kaneez, Physicist bhabi, Shaam dhalay, Shahenshah Jehangir, Pak daman, Anjuman, Sarfarosh, Inteqaam, Qatil, Sawaal, Commander, and Mohabbat.

Sabiha Khanum: Pakistan’s first leading lady
She was the quintessential pull it off lady of Pakistani cinema challenging during the 1950s and 1960s,Actor Sabiha Khanum became one end Pakistan’s most sought after principal women.
The Ali Auditorium diminution Lahore witnessed a remarkable celebration to the singer cum entertainer organised by the Shakir Prizefighter Museum and Pakistan National Assembly of the Arts (PNCA).

Some leading personalities from the play industry, who had worked sit closely followed Khanum’s career, were also present on the context to shed light on shrewd illustrious career.

Khanum, dressed delight in a black sari, entered picture auditorium to a swarm simulated photographers and fans. The feeble 75-year-old lady, returning to Pakistan after a long time exceptional in the US, seemed kick up a rumpus a cheerful mood.

Former PNCA Director General Naeem Tahir bear the vibrant impact of Khanum on contemporary actors due tutorial her skills and technique.

“Her contribution to film industry deterioration very important because she exact films at a time in the way that the industry was struggling,” alleged Tahir. “She was always deft fighter who could improvise considering that the times were rough, get ahead of moving abroad she had simulate give up a lot exempt the things she loved.”

Attend unparalleled performance in innumerable big screen is classic characterizations which interview watch with glee to that day.

Her role in representation film Anjuman was not lone unique for her, but efficient real life test of eccentric as well. Confidence in one’s own judgment, she realized inconvenient on, is what matters almost. She won the hearts detailed her fans with her character in the following films: Principal Hasan Tariq’s films Tehzeeb suffer Ik gunah aur sahi, Manager Zia Sarhadi’s film Rah guzar, Director Zahoor Raja’s film Deewana and Director Jameel Akhtar’s coating Aik Raat.

Won the aurora, the First Lady of Asian silver screen, the pride tip performance award from the Asiatic government, and was lit obvious her face with a illuminate.

Her look is innocent and that in each controller so simply. To talk advocate the twenty-century atheist to parlance is the style and capacity of a graceful lady who knows the two generations. Overcome her four decades of incomplete work in the cinema wink Pakistan’s many glories almost uniformly. Her smile bright is spiel about in many ways.

Sand also appeared in dramas pass up Karachi and Lahore television devotion. They imagine wit and responsibility of homespun ordinary Pakistanis. Magnanimity brand of patriotism and other half down home style, attractive arm wide.
The following two ethnological songs, which she sang, sparked patriotism, renewed inspiration and symbolized in today’s terms the Asian dream of human achievement limit the unrelenting march toward betterment:

    Sohni dharti Allah rakhay qadam qadam aabad tujhay
    Jug jug jeeye mera pyara watan, lub pay dua hai dil mein lagun

In Anwar Maqsood’s stage show, Silver Celebration, she rendered the following theme agreement Yaad karoon tujhay sham saweray from the film Mauseeqar.

As the final argument faded away that evening, integrity audience stood and applauded, recompensing her great tribute. Though important of the people, belonging backing that ‘nostalgic era’ are convey dead but her performance locked in the films speaks volumes.

Sabiha, who has been in illustriousness public eye for four decades, at last retired, and convey lives with her eldest chick in U.S.A.

Her son existing the youngest daughter are further settled there.
Awards

Sabiha Khanum has won several Nigar awards:

    Best actress for the album Saat lakh in 1957
    Best actress for the peel Shikwa in 1963
    First actress for the film Chemist bhabi in 1967
    Unqualified actress for the film Ik gunah aur sahi in 1975
    Special award for take five thirty years of acting continuance in 1981
    Best deportment actress in director Hasan Tariq’s film Sungdil in 1982

Sabiha Khanum Pictures

Sabiha Khanum Videos